Selected and edited, with an Essay, by Herbert J. Certainly the reader will meet with many poems already preserved in other anthologies, at the same time that he discovers poems such as those of Aurelian Townshend or Lord Herbert of Cherbury here included.
Eliot's essay "The Metaphysical Poets" in quite a long time and had to review it briefly to make sure I wasn't completely off base, but I recall Eliot's argument to be that Donne's poetry reflects how things were for the poet before the supposed "dissociation of sensibility" set in.
Eliot explicitly contrasts Donne to later, Victorian-era poets: I haven't read T. A thought to Donne was an experience; it modified his sensibility. We may express the difference by the following theory: The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which could devour any kind of experience.
They are simple, artificial, difficult, or fantastic, as their predecessors were; no less nor more than DanteGuido Cavalcanti, Guinicelli, or Cino. In the seventeenth century a dissociation of sensibility set in, from which we have never recovered; and this dissociation, as is natural, was aggravated by the influence of the two most powerful poets of the century, Milton and Dryden.
Each of these men performed certain poetic functions so magnificently well that the magnitude of the effect concealed the absence of others. The language went on and in some respects improved; the best verse of Collins, Gray, Johnson, and even Goldsmith satisfies some of our fastidious demands better than that of Donne or Marvell or King.
But while the language became more refined, the feeling became more crude. The feeling, the sensibility, expressed in the Country Churchyard to say nothing of Tennyson and Browning is cruder than that in theCoy Mistress. So, to answer your question I hopeEliot praises Donne and the metaphysical poets in general and finds a deficit, if we can call it that, in the more modern poets.
I've always understood Eliot to be talking here more about himself and his modernist contemporaries than he is about Victorian poetry.Penned during the war-torn years between and , Eliot’s quatrain poem cites the writers John Donne and John Webster as examples of metaphysical poets whose Maturation of T.S.
Eliot's Style Anonymous College. Essays in divinity john donne for whom the bell.
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Penned during the war-torn years between and , Eliot’s quatrain poem cites the writers John Donne and John Webster as examples of metaphysical poets whose Maturation of T.S. Eliot's Style Anonymous College.
Dissociation of sensibility is a literary term first used by T. S. Eliot in his essay “The Metaphysical Poets”. It refers to the way in which intellectual thought was separated from the experience of feeling in seventeenth century poetry.
Get an answer for 'T. S. Eliot praises Donne's ability to unify the intellectual thought and sensation of feeling. Why? T. S. Eliot's "dissociation of sensiblity" states that intellectual thought.
T. S. Eliot, Selected Essays (3rd edn., London, ) This telescoping of images and multiplied associations is characteristic of the phrase of some of the dramatists of the period which Donne knew: not to mention Shakespeare, it is frequent in Middleton, Webster, and Tourneur, and is one of the sources of the vitality of their language.